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Crescendos in Blue

Audience feedback questionnaires:

“I enjoyed the use of complex space; music and mood; translation that read like an original. Excellent evening. Everyone has talent."

“Great cast, stupendous use of space. And the music really made it. 5 *'s”

“THANK YOU for the thrills and the rollercoaster of emotions and the magic and poetry all alive around me. I’m left feeling as though I’ve been swept up into that world and spun around in it, and I’m still only slowly settling back to earth. It was a tour de force of the most extraordinary kind, the kind that stuns and surprises and keeps you on your toes.”

The Tale of Pi

David Marshall, The Saint, 24/03/05

“A groundbreaking production without ever feeling invasive. The cast involved at all times, were hardly off stage for more than a minute, and this seemed to make it a more compact piece, more economical, and for this, more pleasing. There is something awesome about conscious use of space and movement.”

Madame Bovary

D. Rousseay, L’Hebdo Vaucluse Le Comtadin, 16/07/04

“A little gem this Madame Bovary which passed all too briefly in Avignon... A beautiful adaptation... Flaubert is visited with a grace that is English and feminine - to the sound of rustling XIXth century costumes designed by Philippe Model - which surely would not have dissatisfied the author.”

C. Demaison, E-Gazette, 15/07/04

“A breath of fresh air... A tender jewel...”

A. Flaugere, La Provence, 13/07/04 ( * * * * * )

“Remarkably well directed by Henriette Baker... A performance that is rich, alive and in movement; and far from neglected with regard to sound, music and lights.”

The Tiger’s Bride

Jamie Neill, TheEdinburghGuide.com, 16/08/03 (* * * * * )

“A truly magical theatrical journey... mesmeric... little short of perfection... Why can’t all theatre be done this way?”

Who Stole Mee?

Lucy Powell, Timeout, 18/09/06

“The most successful play of the night, First Love, by Henriette Baker and Euripides Dikaios, is a neat exploration of divided selves.”

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